The 2007 Persepolis is a small landmark in feature animation. Not because of technical innovation—though it has a handcrafted charm forgotten in the era of CGI-’toon juggernauts—but because it translates an introspective, true-to-life, “adult” comic story into moving pictures. With the aide of French comic-book artist Vincent Paronnaud, Marjane Satrapi has turned her four autobiographical Persepolis volumes into 95 minutes of screen time. We first meet little Marjane (voiced by Gabrielle Lopes) in 1978. She’s the mouthy only child of a progressive Tehran family anxiously watching their shah’s repressive government give way to the ayatollah’s far worse fundamentalist revolution. The state of the nation steadily deteriorates, so Marjane’s parents send their now-adolescent daughter (voiced by Chiara Mastroianni) into exile at a Viennese Lycée Française. Once displaced from the culture that had nourished her, Marjane’s focus turns inward—she’s victimized by boys and by her alien pubescent body, and starts freely sampling subcultures in an attempt to re-establish her sense of self. The film’s latter chapters bring her home, where the strictures of Islamic law have pulled even tighter. The accessibility of Satrapi’s firsthand address—how she refits epic national tragedy to an identifiably personal scale—has made Persepolis college curriculum. Screened at Gould Hall; discussion follows. (NR) NICK PINKERTON

Tue., July 7, 7 p.m., 2009

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